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by Ruth Kaplan
Bathers explores the social theatre of communal bathing, a ritual that is both private and public. My journey began in the nudist hot springs of California in 1991. By participating in the baths, I gradually became accepted and was able to make photographs of fellow bathers, occupying the dual roles of voyeur and participant.From California I then travelled to Eastern Europe seeking a more traditional form of the practice in the spa towns of the Czech Republic, Slovakia, Poland, Hungary and Romania. I then travelled to higher-tech spas in Germany, France, Italy and Denmark, completing the series in 2002 in Moroccan hamams and Icelandic hot springs. Hedonism, decadence, sensuality, innocence and social bonding were some of the underlying themes that emerged, but what drew me to the baths was the
powerful physicality, the way in which people manifested themselves through their bodies, and the psychological presence they evoked. The waters became a backdrop to this exploration.With the migration from analog to digital that took hold during the 1990s, and escalating concerns surrounding individual privacy, these photographs have come to stand as a unique document of a subject difficult to photograph at the best of times, but nearly impossible to achieve currently without staging them. Along with the bizarre juxtapositions of body and place that sometimes occurred, these images reveal and celebrate the experience of immersion; physicality and transcendence.
Mineral Pool, California, U.S.A., 1991.
Mineral Pool, California, U.S.A., 1992.
Hamam, Trencianske Teplice, Slovakia, 1994.
Mineral Pool, Baile Herculaine, Romania, 1995.
Mineral Pool, Marianske Lazne, Czech Republic, 1994.